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“You have to be really honest with yourself because it’s really easy to take something clever just for the sake of being clever. ”

“I try and write music that rather than telling people how to feel, allows them how to feel. It’s kind of echoing the internal voice of the scene, not necessarily the external voice.”

“You look within yourself for the emotional life of things. And you look around you, look at people and use your imagination. But I guess the emotional connection has got to come from you, because that’s all there is in the end.”

“I’m less and less interested in what’s happening centre stage, I’m much more interested in looking at what’s happening in the periphery…hiding on stage, I suppose is kind of the thing that I’m interested in at the moment.”

“Ideas are magic…but you really have to do a lot of work to make it be something rigorous and muscular and alive.”

“Music has always been a bit of an imaginary starting point for me, I tend to hear before I see as a director.”

“If you’ve got an idea and it involves something you’ve never worked with before, you go for it, you research it, you find the people, you try it out, you don’t give up.”